The surname of MANES was a Jewish surname from the Hebrew given name of Emanuel meaning 'God is with us'. When traditional Jews were forced to take family names by the local bureaucracy, it was an obligation imposed from outside traditional society, and people often took the names playfully and let their imaginations run wild by choosing names which corresponded to nothing real in their world. No one alive today can remember the times when Jews took or were given family names (for most Ashkenazim this was the end of the 18th century or the beginning of the 19th) although many remember names being changed after emigration to other countries, such as the United States and Israel in recent years. The name was also a French surname used in the Middle Ages by Christians in honour of a minor 3rd century martyr. Most of the European surnames were formed in the thirteenth and fourteenth centuries. The process had started somewhat earlier and had continued in some places into the 19th century, but the norm is that in the tenth and eleventh centuries people did not have surnames, whereas by the fifteenth century most of the population had acquired a second name. The origin of badges and emblems, are traced to the earliest times, although, Heraldry, in fact, cannot be traced later than the 12th century, or at furthest the 11th century. At first armorial bearings were probably like surnames and assumed by each warrior at his free will and pleasure, his object being to distinguish himself from others. It has long been a matter of doubt when bearing Coats of Arms first became hereditary. It is known that in the reign of Henry V (1413-1422), a proclamation was issued, prohibiting the use of heraldic ensigns to all who could not show an original and valid right, except those 'who had borne arms at Agincourt'. The College of Arms (founded in 1483) is the Royal corporation of heralds who record proved pedigrees and grant armorial bearings. A notable member of the name was Josef MANES (1820-71) the Czech artist, born in Prague. He was the pupil of his father, the landscape artist Antonin (1784-1843) and was well known for his genre and historical paintings and portraits.
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